если этот кодек будет работать с такой же скоростью, как мр3, на системах 20-ти летней давности, тогда у него может и будет шанс ) а если требует мощного железа, как другие кодеки, то шансов ноль.
Opus Custom is an optional part of the Opus standard that allows for sampling rates other than 8, 12, 16, 24, or 48 kHz and frame sizes other than multiples of 2.5 ms. Opus Custom requires additional out-of-band signalling that Opus does not normally require and disables many of Opus' coding modes. Also, because it is an optional part of the specification, using Opus Custom may lead to compatibility problems. For these reasons, its use is discouraged outside of very specific applications, e.g.:
* ultra low delay applications where synchronization with the soundcard buffer is important.
* low-power embedded applications where compatibility with others is not important.
For almost all other types of applications, Opus Custom should not be used.
Комментарии
распространненость/внедряемость....еще не то не пропускала....
МР3 ВЕЧЕН...
лишь если аппаратно позволит на век вперед выиграть...только тогда выиграет НОВЫЙ стандарт!
Opus Custom is an optional part of the Opus standard that allows for sampling rates other than 8, 12, 16, 24, or 48 kHz and frame sizes other than multiples of 2.5 ms. Opus Custom requires additional out-of-band signalling that Opus does not normally require and disables many of Opus' coding modes. Also, because it is an optional part of the specification, using Opus Custom may lead to compatibility problems. For these reasons, its use is discouraged outside of very specific applications, e.g.:
* ultra low delay applications where synchronization with the soundcard buffer is important.
* low-power embedded applications where compatibility with others is not important.
For almost all other types of applications, Opus Custom should not be used.
Вроде что-то у них есть и для low power случаев